»óÇ° ¾È³» ¹× ȯºÒ, ±³È¯, ¹è¼Û¹®ÀÇ | |
- °¡°Ô ÀüȹøÈ£ : | 1544-1900 |
- Àüȹ®ÀÇ ½Ã°£ : |
¿ÀÀü 9½ÃºÎÅÍ ¿ÀÈÄ 6½Ã±îÁö (¸ÅÁÖ ¿ù¿äÀÏ, È¿äÀÏ, ¼ö¿äÀÏ, ¸ñ¿äÀÏ, ±Ý¿äÀÏ, °øÈÞÀÏ Á¦¿Ü) |
- °¡°Ô À̸ÞÀÏ : | ink@kyobobook.co.kr |
- ÀÌ¿ë Åùèȸ»ç : | CJ´ëÇÑÅë¿î |
ÆǸŰ¡°ÔÁ¤º¸ |
|
- »ç¾÷ÀÚ¸í : | (ÁÖ)±³º¸¹®°í |
- »ç¾÷ÀÚµî·Ï¹øÈ£ : | 102-81-11670 |
- Åë½ÅÆǸž÷½Å°í : | 01-0653 |
- Çö±Ý¿µ¼öÁõ : ¹ß±Þ°¡´É |
|
ÀüÈÁÖ¹® ¹× °áÁ¦¹®ÀÇ |
|
- ²ÉÇÇ´Â ¾Æħ¸¶À» : | 1644-8422 |
°¡°Ô¿Í Á÷°Å·¡¸¦ ÇÏ½Ã¸é ²É¼ÛÀÌ Àû¸³ ¹× °¢Á¾ ÇýÅÿ¡¼ Á¦¿ÜµÇ°í, ¸¸ÀÏÀÇ ¹®Á¦°¡ ¹ß»ýÇÏ´Â °æ¿ì¿¡µµ ²É¸¶ÀÇ µµ¿òÀ» ¹ÞÀ¸½Ç ¼ö ¾ø½À´Ï´Ù. °¡°ÔÀÇ ºÎ´çÇÑ ¿ä±¸, ºÒ°øÁ¤ ÇàÀ§ µî¿¡ ´ëÇؼµµ ²É¸¶·Î Á÷Á¢ ÀüÈÁÖ¼¼¿ä. |
»ó¼¼Á¤º¸ | ±¸¸ÅÈıâ (0) | »óÇ° Q&A (0) | ¹è¼Û/±³È¯/ȯºÒ ¾È³» |
Ã¥¼Ò°³Ynhui Park¡¯s poems are not difficult; they are usually simple and suggestive, inviting the reader to share an experience of some moment, some scene, in which the underlying void seems to have yielded to value and meaning¡¦. His poems very often re-enact a search for consolation and peace, faced with the meaninglessness and absurdity of human existence.
Many Korean poems are in some sense poems about being Korean¡¦ but his poems are fascinating for their open universality. His anguish is that of the modern world¡¯s consciousness of the cosmic void; his hope cannot be formulated, and yet it remains a hope for the victory of humanity over blind cruelty. His poetry is neither dark nor despairing; instead it is often humorous, light, and fanciful.
ÀúÀÚ¼Ò°³ÀúÀÚ : Ynhui Park
Born in 1930, Ynhui Park graduated from Seoul National University with a bachelor¡¯s degree in French literature and received a PhD in philosophy from the Sorbonne in Paris. After spending 30 years as a professor in France, Germany, Japan, and the United States doing research and teaching the next generation of scholars, he returned to Korea and continued to teach at Pohang University and Yonsei University.
Renowned around the world for his philosophy and poetry, Park is highly regarded as an original Korean philosopher. He advocates three principles: intellectual transparency, emotional passion, and moral integrity. His writings, which draw upon his vast knowledge and wide experience, are adored by people of all ages. Park has published numerous books, including Roadmap to a Green Korea and The Journey Isn¡¯t Over Yet.
¿ªÀÚ : Brother Anthony of Taize (An Sonjae)
Born in England, Brother Anthony received his PhD from Oxford University, joining the Taiz? Community, a monastic order, in 1969. Later, he came to Korea and worked at Sogang University as an English professor. He became a naturalized citizen of South Korea in 1994. He has published thirty books containing his English translations of Korean poetry and fiction, including work by Ko Un, Seo Jeong-ju, and Ku Sang. He was recognized for his literary efforts in 2008, when he received the Okkwan Literary Medal.
¸ñÂ÷1.Snow on the charles river
2.Dream of a Butterfly
3.Shadows of Things Unseen
4.Echoes of the Void
5.The Fury of Elephants Raised as Orphans |
±³È¯ ¹× ȯºÒ °¡´É |
»óÇ°¿¡ ¹®Á¦°¡ ÀÖÀ» °æ¿ì |
1) »óÇ°ÀÌ Ç¥½Ã/±¤°íµÈ ³»¿ë°ú ´Ù¸£°Å³ª ºÒ·®(ºÎÆÐ, º¯Áú, ÆļÕ, Ç¥±â¿À·ù, À̹°È¥ÀÔ, Áß·®¹Ì´Þ)ÀÌ ¹ß»ýÇÑ °æ¿ì - ½Å¼±½ÄÇ°, ³ÃÀå½ÄÇ°, ³Ãµ¿½ÄÇ° : ¼ö·ÉÀÏ ´ÙÀ½³¯±îÁö ½Åû - ±âŸ »óÇ° : ¼ö·ÉÀϷκÎÅÍ 30ÀÏ À̳», ±× »ç½ÇÀ» ¾È ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳» ½Åû 2) ±³È¯ ¹× ȯºÒ½Åû ½Ã ÆǸÅÀÚ´Â »óÇ°ÀÇ »óŸ¦ È®ÀÎÇÒ ¼ö ÀÖ´Â »çÁøÀ» ¿äûÇÒ ¼ö ÀÖÀ¸¸ç »óÇ°ÀÇ ¹®Á¦ Á¤µµ¿¡ µû¶ó Àç¹è¼Û, ÀϺÎȯºÒ, ÀüüȯºÒÀÌ ÁøÇàµË´Ï´Ù. ¹ÝÇ°¿¡ µû¸¥ ºñ¿ëÀº ÆǸÅÀÚ ºÎ´ãÀ̸ç ȯºÒÀº ¹ÝÇ°µµÂøÀϷκÎÅÍ ¿µ¾÷ÀÏ ±âÁØ 3ÀÏ À̳»¿¡ ¿Ï·áµË´Ï´Ù. |
´Ü¼øº¯½É ¹× ÁÖ¹®Âø¿ÀÀÇ °æ¿ì |
1) ½Å¼±½ÄÇ°, ³ÃÀå½ÄÇ°, ³Ãµ¿½ÄÇ° ÀçÆǸŰ¡ ¾î·Á¿î »óÇ°ÀÇ Æ¯¼º»ó, ±³È¯ ¹× ȯºÒÀÌ ¾î·Æ½À´Ï´Ù. 2) ÈÀåÇ° ÇǺΠƮ·¯ºí ¹ß»ý ½Ã Àü¹®ÀÇ Áø´Ü¼ ¹× ¼Ò°ß¼¸¦ Á¦ÃâÇϽøé ȯºÒ °¡´ÉÇÕ´Ï´Ù. ÀÌ °æ¿ì Á¦¹Ýºñ¿ëÀº ¼ÒºñÀÚ ºÎ´ãÀ̸ç, ¹è¼Ûºñ´Â ÆǸÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù. ÇØ´ç ÈÀåÇ°°ú ÇǺΠƮ·¯ºí°úÀÇ »ó´çÇÑ Àΰú°ü°è°¡ ÀÎÁ¤µÇ´Â °æ¿ì ¶Ç´Â Áúȯġ·á ¸ñÀûÀÇ °æ¿ì¿¡´Â Áø´Ü¼ ¹ß±Þºñ¿ëÀ» ÆǸÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù. 3) ±âŸ »óÇ° ¼ö·ÉÀϷκÎÅÍ 7ÀÏ À̳» ½Åû, ¿Õº¹¹è¼Ûºñ´Â ¼ÒºñÀÚ ºÎ´ã 4) ¸ð´ÏÅÍ ÇØ»óµµÀÇ Â÷ÀÌ·Î »ö»óÀ̳ª À̹ÌÁö°¡ ´Ù¸¥ °æ¿ì ´Ü¼øº¯½É¿¡ ÀÇÇÑ ±³È¯ ¹× ȯºÒÀÌ Á¦ÇÑµÉ ¼ö ÀÖ½À´Ï´Ù. |
|
±³È¯ ¹× ȯºÒ ºÒ°¡ |
1) ½Åû±âÇÑÀÌ Áö³ °æ¿ì 2) ¼ÒºñÀÚÀÇ °ú½Ç·Î ÀÎÇØ »óÇ° ¹× ±¸¼ºÇ°ÀÇ Àüü ¶Ç´Â ÀϺΰ¡ ¾ø¾îÁö°Å³ª ÈѼÕ, ¿À¿°µÇ¾úÀ» °æ¿ì 3) °³ºÀÇÏ¿© ÀÌ¹Ì ¼·ÃëÇÏ¿´°Å³ª »ç¿ë(Âø¿ë ¹× ¼³Ä¡ Æ÷ÇÔ)ÇØ »óÇ° ¹× ±¸¼ºÇ°ÀÇ °¡Ä¡°¡ ¼Õ»óµÈ °æ¿ì 4) ½Ã°£ÀÌ °æ°úÇÏ¿© »óÇ°ÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì 5) »ó¼¼Á¤º¸ ¶Ç´Â »ç¿ë¼³¸í¼¿¡ ¾È³»µÈ ÁÖÀÇ»çÇ× ¹× º¸°ü¹æ¹ýÀ» ÁöÅ°Áö ¾ÊÀº °æ¿ì 6) »çÀü¿¹¾à ¶Ç´Â ÁÖ¹®Á¦ÀÛÀ¸·Î ÅëÇØ ¼ÒºñÀÚÀÇ ÁÖ¹®¿¡ µû¶ó °³º°ÀûÀ¸·Î »ý»êµÇ´Â »óÇ°ÀÌ ÀÌ¹Ì Á¦ÀÛÁøÇàµÈ °æ¿ì 7) º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì 8) ¸À, Çâ, »ö µî ´Ü¼ø ±âÈ£Â÷ÀÌ¿¡ ÀÇÇÑ °æ¿ì |